RO NUMBER |
TITLE |
INSTR
/
(ALT
TITLE) |
RECORDINGS |
SEE ALSO |
OPUS NO. |
YEAR |
A Montevideo |
(Symphony No. 2) |
257 |
||||
1 |
Adieu Funebre |
Cello and Piano |
1859 |
|||
2 |
Adios a Cuba |
Piano 2 hands |
1854 |
|||
3 |
Agnus Dei |
1853 |
||||
4 |
Amalia Warden |
Act One of an opera libretto |
1860 |
|||
America |
106 |
|||||
American Caprice |
(Caprice Americaine) |
36, 61 |
||||
An American Sketch |
(Le Banjo) |
22 |
||||
Amor y Fe' |
(O Loving Heart, Trust On) |
181 |
||||
Amour chevaleresque |
(Love and Chivalry) |
135 |
||||
5 |
Andante from Sym. No. 1 |
Piano 2 hands |
PM3 |
|||
6 |
Andante |
Violin and piano |
||||
7 |
The Andes |
2 Pianos 4 hands |
||||
8 |
Apothèose |
Piano 2 hands |
PM4, GR |
29 |
1856 |
|
9 |
Autrefois (Ballade) |
Piano, 2 hands |
1853 |
|||
10 |
Ave Maria |
Voice and piano |
GG |
1864 |
||
Ave Maria |
Voice and orchestra (arr. Richard Rosenberg) |
HS2 |
1864 |
|||
11 |
Ay Pompillo, no me mates |
Piano, 2 hands |
||||
12 |
Bailemos |
Piano, 2 hands |
1863 |
|||
13 |
Ballade |
Piano, 2 hands |
||||
Ballade creole |
232 |
|||||
Premiere Ballade |
232 |
|||||
Deuxieme Ballade |
187 |
|||||
Troisieme Ballade |
187 |
|||||
Quatrieme Ballade |
227 |
|||||
Cinquieme Ballade |
223 |
|||||
14 |
Sixieme Ballade |
Piano, 2 hands |
PM1, LP2, AM2 |
83/85 |
||
15 |
Septieme Ballade |
Piano, 2 hands |
PM7 |
87 |
||
16 |
Hutieme Ballade |
Piano, 2 hands |
PM5 |
90 |
||
17 |
Ballades in F |
Piano, 2 hands |
1850 |
|||
18 |
Le Ballo in Maschera (Verdi) (Fantasie Triomphale) |
Piano, 2 hands |
1862 |
|||
19 |
Ballo in Maschera Quartet |
1865 |
||||
Ballo in Maschera Quintet |
199 |
|||||
20 |
Bamboula |
Piano, 2 hands |
PM3, LP1, AM1, KK |
2 |
1844 |
|
21 |
Le Bananier |
Piano, 2 hands |
PM1, LP1, AM1, KK |
5 |
1845 |
|
Le Bananier |
Piano, 4
hands |
APTER |
||||
Le Bananier |
Orchestra
(orch. Jack Elliott) |
HS1 |
||||
22 |
Le Banjo |
Piano, 2 hands |
PM1, LP1, LF, AM3, KK |
15 |
1854 |
|
23 |
The Banjo |
2 pianos, 4 hands (arr. Jerome Moross, 1935) |
15 |
|||
24 |
Banjo, "Second" |
Piano, 2 hands |
PM7, GR |
82 |
1853 |
|
25 |
Bataille |
Piano, 2 hands |
PM5 |
63/64 |
1869 |
|
26 |
La Bataille de Carabova |
Military band |
||||
Battle Cry of Freedom |
(Le Cri de deliverance) |
62 |
||||
Bembo como ta |
(Recuerdo do la Vueltra de Abajo) |
221 |
||||
Benediction des poignards |
(Isaura di Salerno) |
125 |
||||
27 |
Berceuse (Cradle Song) |
Piano, 2 hands |
PM2, LP1, GG, LF, AM2, GR |
47 |
1860 |
|
Berceuse (Cradle Song) | Orchestra
(arr. Lucien Lambert, fils) |
HS1 |
||||
28 |
Berceuse, pour voix d'homme |
(Slumber On, Baby Dear) |
1861 |
|||
29 |
Berceuse, La Meme |
2 violins & piano |
1861 |
|||
Bergere e cavalier |
190 |
|||||
Brazilian National Hymn |
(Grande Fantaisie triomphale sur l'hymne national bresilien) |
108 |
||||
30 |
La Brise (The Breeze) |
Piano, 2 hands |
PM7 |
1865 |
||
31 |
Bunker's Hill, Fantaisie
triomphale (American Reminiscences) (National Glory) |
1854 |
||||
Burlesque |
(Marlborough, s'en va t'en guerre) |
160 |
||||
32 |
Le Caid |
Piano, 2 hands |
1850 |
|||
33 |
La Cana, Chanson andalouse |
Piano, 2 hands |
1852 |
|||
34 |
Canadian Boat Song |
Voice and piano |
GG |
1864 |
||
35 |
Canto del Gitano |
Piano, 2 hands |
PM1 |
1852 |
||
El Canto de los pajaros |
(Chant des oiseaux) |
50 |
||||
Canzonetta |
(I don't see it, mamma) |
119 |
||||
"Caprice" |
117, 170, 182, 189, 253 |
|||||
36 |
Caprice americain |
Piano, 2 hands |
1854 |
|||
Caprice americain, Deuxieme |
(Columbia) |
61 |
||||
"Caprice brilliant" |
118, 184, 225 |
|||||
Caprice caracteristique |
(La Gitanella) |
103 |
||||
37 |
Caprice cubain |
Piano, 2 hands |
1853 |
|||
"Caprice de concert" |
65, 214, 246 |
|||||
Caprice elegant |
(Le Songe d'un nuit d'ete) |
240 |
||||
38 |
Caprice elegiaque |
Piano, 2 hands |
PM6 |
56 |
1867 |
|
39 |
Caprice en A flat |
Piano, 2 hands |
1853 |
|||
Caprice espagnol |
(La Jota aragonesa) |
130 |
||||
Caprice heroique |
(Le Cri de delivrance) |
62 |
||||
40 |
Caprice on Peruvian Airs |
Piano, 2 hands |
1865 |
|||
Caprice religieux |
(Chant du martyr) |
49 |
||||
41 |
Caprice sur la danse creole |
Piano, 2 hands |
1858 |
|||
42 |
Caprices in B flat major |
Piano, 2 hands |
||||
Capricho criollo |
(Caprice sur la danse creole) |
41 |
||||
Capricho sobre aires peruanos |
(Caprice on Peruvian Airs) |
40 |
||||
43 |
Caprichos sobre danses de Puerto Principe |
Piano, 2 hands |
1854 |
|||
44 |
Caprice-Polka |
Piano, 2 hands |
PM2 |
79 |
1856 |
|
La Caringa |
(Caprichos sobre danses de Puerto Principe) |
43 |
||||
45 |
Le Carnaval de Venise |
Piano, 2 hands |
PM6 |
89 |
1850 |
|
46 |
Le Carnaval de Venise |
Soprano |
1857 |
|||
Chanson du gitano |
(Canto del Gitano) |
35 |
||||
47 |
Chant des Caraibes |
Piano, 2 hands |
1857 |
|||
Chant gibaresque |
(Souvenir de Porto Rico) |
250 |
||||
48 |
Chant de guerre |
Piano, 2 hands |
PM8 |
78 |
1857 |
|
49 |
Le Chant du martyr (Grand caprice religieux) |
Piano, 2 hands |
PM8 |
1859 |
||
50 |
Chant des oiseaux (El Canto de los pajaros) |
Piano, soprano and flute |
1857 |
|||
51 |
Chant du soldat |
Piano, 2 hands |
PM7, AM3 |
23 |
1854 |
|
52 |
Charles IX (opera) |
1859- 1860 |
||||
Charme du foyer |
(Home, Sweet Home) |
117 |
||||
53 |
La Chasse de jeune Henri (Young Henry's Hunt) (after Mehul) |
2 pianos, 4 hands |
1849 |
|||
54 |
La Chasse de jeune Henri |
Piano, 2 hands |
PM5 |
1849 |
||
La Chasse de jeune Henri | Orchestra (reconstructed by Richard Rosenberg) |
HS2 |
1849 |
|||
55 |
La Chute des feuilles |
Piano, 2 hands |
PM3 |
42 |
1860 |
|
56 |
The Clermont Mass |
1848 |
||||
57 |
El Cocoye |
Piano, 2 hands |
PM5, GG, AM3, GR |
80 |
1854 |
|
58-59 |
Colliers d'or (2 mazurkas) |
Piano, 2 hands |
PM6, AM3 |
6 |
1846 |
|
60 |
La Colombe |
Piano, 2 hands |
PM4, GG |
49 |
1863 |
|
61 |
Columbia |
Piano, 2 hands |
PM1, LP2 |
34 |
1859 |
|
Concert Waltz for 2 pianos |
(Valse di bravura pour deux
pianos) |
282 |
||||
Concertante final de un acto de
opera |
(from Charles IX) |
52 |
||||
Concerto for Piano |
(Piano Concerto in F minor) |
197 |
||||
Contradanzas |
Las Poncenas |
211 |
||||
Cradle Song |
(Berceuse) |
27 |
||||
62 |
Le Cri de delivrance (Battle Cry of Freedom) |
Piano, 2 hands |
PM7, LP1, GG, AM1 |
55 |
1863 |
|
Cuban Dance |
(Ay Pompillo, no me mates) |
11 |
||||
Dans les nuages |
(Fairy Land) |
91 |
||||
"Danse cubaine" |
101, 184, 225 |
|||||
Danse des negres |
(Bamboula) |
20 |
||||
63 |
La danse des ombres |
Piano, 2 hands |
1849 |
|||
64 |
Danse ossianique |
Piano, 2 hands |
PM6, GR |
12 |
1850 |
|
65 |
Danse des sylphes (after Godefroid) |
Piano, 2 hands |
PM6 |
86 |
1853 |
|
66 |
Danza |
Piano, 2 hands |
PM1, LP1, AM2 |
33 |
1857 |
|
67 |
Danza |
2 pianos, 4 hands |
||||
Danza |
(Ines) |
277 |
||||
68 |
Danza en A flat, No. 1 |
Piano, 2 hands |
1859 |
|||
69 |
Danza en A flat, No. 2 |
Piano, 2 hands |
1859 |
|||
70 |
Danza en C minor |
1859 |
||||
71 |
Danza en E |
1859 |
||||
72 |
Danza en F |
1859 |
||||
73 |
Dernier Amour |
Piano, 2 hands |
PM8 |
63 |
1868 |
|
Derniere Experance |
(The Last Hope) |
133 |
||||
Deux Mazurkas pour le piano |
(Colliers d'or) |
58 |
||||
Di que si |
(Reponds-moi) |
225 |
||||
Dixie |
(Variations on Dixie's Land) |
291 |
||||
The Dove |
(La Colombe) |
60 |
||||
74 |
Drums and Cannon |
Piano, 2 hands |
1861 |
|||
75 |
The Dying Poet |
Piano, 2 hands |
PM3, LF, AM1 |
1863 |
||
The Dying
Poet |
Orchestra
(orch. Jack Elliott) |
HS1 |
||||
76 |
The Dying Swan |
Piano, 2 hands |
PM7 |
100 |
||
Ecoute O mon Adoree! |
(Idol of Beauty) |
120 |
||||
Eight Unpublished Piano Pieces |
(Unpublished Manuscripts) |
270-277 |
||||
77 |
Escenas Campestres (opera in 1
act) |
GF2, HS2 |
1860 |
|||
Espadero |
(La Chute des feuilles) |
55 |
||||
78 |
Esquisse |
Piano, 2 hands |
1856 |
|||
79 |
Esquisses creoles pour piano a
deux mains |
|||||
80 |
L'Etincelle |
Piano, 2 hands |
PM4, AM3 |
20/21 |
1848 |
|
81 |
Etude |
Piano, 2 hands |
1842 |
|||
Etude |
(Rome) |
231 |
||||
Etude (posthumous) |
140,295 |
|||||
Etude caracteristique |
(La Melancolie) |
167 |
||||
Etude de concert |
25,73, 124,143 |
|||||
82 |
Etude de force en B major |
1860 |
||||
Etude dramatique |
(Mazeppa) |
162 |
||||
83 |
Etude en A flat |
Piano, 2 hands |
1853 |
|||
84 |
Etude in C-sharp minor |
Piano, 2 hands |
1853 |
|||
85 |
Etude in D flat |
Piano, 2 hands |
1849 |
|||
86 |
Etude in G |
Piano, 2 hands |
1847 |
|||
87 |
Etude pour un main |
Piano, 2 hands |
1859 |
|||
88 |
Etudes de concert |
Piano, 2 hands |
1859 |
|||
89 |
Exercises brillante |
Piano, 2 hands |
1859 |
|||
90 |
L'Exile |
Voice and piano |
||||
L'Extase |
(Pensee poetique) |
194 |
||||
91 |
Fairy Land |
Piano, 2 hands |
PM7 |
1859 |
||
92 |
Fandango |
Piano, 2 hands |
1853 |
|||
Fantaisie grotesque |
(Le Banjo) |
22 |
||||
93 |
Fantaisie sur des airs
martiniquais |
Piano, 2 hands |
1858 |
|||
Fantaisie sur La Sonnambula |
(Souvenirs de Bellini) |
244 |
||||
Fantaisie sur Le Trovatore |
(Miserere) |
171,172 |
||||
Fantasy on themes from Lucia,
Lucrezia, and Sonnambula |
(Gloires italiennes) |
105 |
||||
94 |
Fantome de bonheur |
Piano, 2 hands |
PM4 |
36 |
1859 |
|
Faust, Grande Marche |
(Grande Marche de Faust) |
111 |
||||
Faust, Grande Meditation |
(Grande Meditation Poetique) |
118 |
||||
95 |
La Favorita (Donizetti) |
Piano, 2 hands |
PM6 |
68 |
1859 |
|
96 |
Fille du Regiment (Donizetti) |
Piano, 2 hands |
1855 |
|||
Une Fete sous les tropiques, pour grande orchestre |
(see Symphony No. 1) |
256 |
1859 |
|||
Feu follet |
(Forest Glade Polka) |
98 |
||||
Final de Opera |
(Marcha Triunfal y Final de Opera) |
157 |
||||
97 |
Final d'Opera, pour voix sole, choeur et orchestre |
1860 |
||||
La Flor Que
Ella Me Envia |
Voice and
piano |
GG |
1868 |
|||
Les Follets |
(Forest Glade Polka) |
98 |
||||
Follow Me! |
(Suis-moi!) |
253 |
||||
98 |
Forest Glade Polka |
Piano, 2 hands |
PM4 |
25 |
1853 |
|
99 |
Forget Me Not |
Piano, 2 hands |
PM7, AM3 |
1869 |
||
Fragment de Concerto |
(Piano Concerto) |
197 |
||||
Fragments d'un Trio |
(Piano Trio) |
201 |
||||
100 |
La Gallina (The Hen) |
Piano, 4 hands |
GF1, APTER |
53 |
1863 |
|
101 |
La Gallina (The Hen) |
Piano, 2 hands |
PM7, LP2, AM1, KK |
53 |
1863 |
|
Galop di bravura |
(Gran Galopada segun Quidant) |
109 |
||||
Galop de concert |
(Hurrah Galop) |
118 |
||||
102 |
La Gaselle: Andante elegant |
Piano, 2 hands |
1855 |
|||
103 |
La Gitanella |
Piano, 2 hands |
PM4, GR |
35 |
1857 |
|
104 |
Le Glaneuse (Mazurka) |
Piano, 2 hands |
1849 |
|||
105 |
Gloires italiennes |
2 pianos, 4 hands |
1854 |
|||
106 |
God Save The Queen |
Piano, 2 hands |
PM7, AM2 |
41 |
1850 |
|
Good-by, my Love |
(My only love, goodby) |
177 |
||||
"Gottschalk's
Melody" |
PM3 |
|||||
Grande Caprice de concert |
51, 210 |
|||||
Grand Caprice cubain de bravura |
(El Cocoye) |
57 |
||||
Grand Caprice et variations |
(Le Carnival de Venise) |
45 |
||||
Grand Duo di bravura |
(Il Trovatore, Grand Duo) |
267 |
||||
107 |
Grande Etude de concert |
Piano, 2 hands |
1847 |
|||
Grande Etude de concert |
(Tremolo) |
265 |
||||
108 |
Grande Fantaisie tromphale sur l'hymne national bresilien |
Piano, 2 hands |
PM3, AM2 |
69 |
1869 |
|
Grande
Fantaisie tromphale sur l'hymne national bresilien |
Piano and Orchestra |
GF2 |
||||
Grande Phantasie sobre Martha |
(Martha, Grande Phantasie) |
161 |
||||
109 |
Gran Galopada segun Quidant |
2 pianos, 4 hands |
1854 |
|||
Gran Marcha triunfal |
215, 157 |
|||||
Grand March |
(The Andes) |
7 |
||||
110 |
Grande Marche de Athalia
(Mendelssohn) |
13 pianos (25 pianists) &
orchestra |
1868 |
|||
111 |
Grande Marche de Faust (Gounod) | 16 pianos (31 pianists) &
orchestra |
1864 |
|||
112 |
Grande Marche de Tannhauser
(Wagner) |
16 pianos (31 pianists) &
orchestra |
1863 |
|||
113 |
Grande Meditation poetique sobre Faust (Gounod) |
Piano, harmonium, copophone, flute & violin |
1865 |
|||
Grand Morceau de concert |
(William Tell Overture) |
297 |
||||
Grand Polka |
(Orfa) |
186 |
||||
114 |
Grand Scherzo |
Piano, 2 hands |
PM2, LP1, LF, AM1, GR |
57 |
1869 |
|
Gran Tarantella |
(Grande Tarantelle) |
259 |
||||
Gran Vals,
for soprano |
(Vals
poetique) |
285 |
||||
Gran Vals, for 2 pianos |
(Valse di bravura pour deux
pianos) |
282 |
||||
Grande Valse brillante |
(Marguerite) |
158 |
||||
115 |
Grande Valse de concert |
Piano, 2 hands |
1847 |
|||
Grande Valse de concert |
141, 219 |
|||||
The Hen |
(La Gallina) |
100 |
||||
116 |
Hercule |
Piano, 2 hands |
PM3 |
88 |
1869 |
|
117 |
Home, Sweet Home |
Piano, 2 hands |
PM8 |
51 |
1862 |
|
Humaita, Marcha solemne |
(Marche Solennelle) |
154 |
||||
118 |
Hurrah Galop |
Piano, 2 hands |
PM7 |
1859 |
||
Hymn of D. Luis I |
(Variations de concert sur l'hymne portugais) |
290 |
||||
119 |
I don't see it, mamma |
Voice and piano |
GG |
1864 |
||
120 |
Idol of Beauty |
Voice and piano |
1862 |
|||
Idylle |
(Regarde Moi) |
224 |
||||
Illusions perdues |
(Fantome de bonheur) |
94 |
||||
121 |
Im Hochland (Niels Gade) |
2 pianos, 4 hands |
1863 |
|||
122 |
Impromptu |
Piano, 2 hands |
PM6, AM1 |
54 |
1869 |
|
Ines |
(Unpublished manuscript) |
277 |
||||
123 |
Introduction and Grand Valse di
bravura |
Piano, 2 hands |
1854 |
|||
124 |
Invitation to the Waltz (Weber) |
Piano, 2 hands |
||||
125 |
Isaura di Salerno, opera seria en trois actes |
Opera |
1859 |
|||
Isolement |
(Solitude) |
239 |
||||
Jaleo de Jerez |
(Souvenirs d'Andalousie) |
242 |
||||
126 |
Jerusalem |
Piano, 2 hands |
PM8 |
13 |
1850 |
|
127 |
Jerusalem |
2 pianos, 4 hands |
1851 |
|||
128 |
Jeune Fille aux yeux noirs |
Piano, 2 hands |
1859 |
|||
129 |
Jeunesse |
Piano, 2 hands |
PM6, AM2 |
70 |
1859 |
|
130 |
La Jota aragonesa |
Piano, 2 hands |
PM2, AM1 |
14 |
1852 |
|
131 |
La Jota aragonesa |
Piano, 4 hands |
APTER |
14 |
1852 |
|
132 |
Le lai du dernier menestrel |
Piano, 2 hands |
1847 |
|||
133 |
The Last Hope |
Piano, 2 hands |
PM3, LP1, LF, AM1, KK |
16 |
1854 |
|
134 |
The Last Hope |
Piano, 4 hands |
16 |
1854 |
||
Last Rose of Summer |
(Ultima Rosa) |
268 |
||||
Little Tarantella |
(Tarantelle pour violon et piano) |
258 |
||||
135 |
Love and Chivalry |
Piano, 2 hands |
PM7, AM2 |
1858 |
||
136 |
Lucia (Donizetti), Fantaisie sur |
Piano, 2 hands |
1855 |
|||
137 |
Lucia (Donizetti), Grande
Fantasia de |
2 pianos, 4 hands |
1869 |
|||
138 |
Lucrezia Borgia (Donizetti), Fantasia sobre la |
Piano, 2 hands |
1865 |
|||
139 |
Lucrezia Borgia (Donizetti), Transcription du Final |
Piano, 2 hands |
1853 |
|||
140 |
Madelaine |
Piano, 2 hands |
PM7 |
? |
||
141 |
The Maiden's Blush |
Piano, 2 hands |
PM6, AM1 |
1859 |
||
142 |
La Mancenillier |
Piano, 2 hands |
PM1, LF, GR |
11 |
1849 |
|
143 |
Manchega |
Piano, 2 hands |
PM2, AM3, GR |
38 |
1855 |
|
Manchega |
Orchestra
(orch. Jack Elliott) |
HS1 |
||||
144 |
Marche, pour orchestre militaire |
1861 |
||||
145 |
March de los Caribes |
Piano, 2 hands |
||||
146 |
Marche du festival, pour orchestre |
1858 |
||||
147 |
Marche funebre |
Piano, 2 hands |
PM6 |
61/64 |
||
148 |
Marche funebre |
Piano, 2 hands |
||||
149 |
Marche funebre, Deuxieme |
Piano, 2 hands |
1854 |
|||
Marche des gibaros |
(Souvenir de Porto Rico) |
250 |
||||
150 |
Marche guerriere, pour orchestre
militaire |
1857 |
||||
151 |
Marche de nuit |
Piano, 2 hands |
PM2, AM3 |
17 |
1855 |
|
Marche de
nuit |
Piano, 4
hands |
APTER |
||||
Marche des ombres |
La Danse des ombres |
63 |
||||
152 |
Marcha real espanola (as part of El Sitio de Zaragoza) |
Piano, 2 hands |
1851 |
|||
153 |
Marche scandinave |
Piano, 2 hands |
1847 |
|||
Marche solemne brasileira |
(Marche Solennelle) |
154 |
||||
154 |
Marche Solennelle, pour orchestre et musique militaire |
Brass choir |
GF1 |
1868 |
||
155 |
Gran Marcha Solemne |
Piano, 2 hands |
1868 |
|||
156 |
Grand March for the Sultan |
Orchestra |
1868 |
|||
Marcha Triunfal a Chile |
(Solemne Marcha Triunfal a Chile) |
238 |
||||
157 |
Marcha Triunfal y Final de Opera |
Orchestra |
GF2 |
1860 |
||
158 |
Marguerite |
Piano, 2 hands |
PM5, LP2 |
1866 |
||
159 |
Maria la O |
Piano, 2 hands |
1854 |
|||
Maria Lancero |
(Caprichos sobre danses de Puerto Principe) |
43 |
||||
160 |
Marlborough, s'en va t'en guerre |
Piano, 2 hands |
1858 |
|||
161 |
Martha (Flotow), Grande phantasie sobre |
2 pianos, 4 hands |
1866 |
|||
162 |
Mazeppa |
Piano, 2 hands |
1850 |
|||
163 |
Mazurka |
Piano, 2 hands |
1847 |
|||
Mazurka in F
sharp minor |
Piano, 2
hands |
PM1, LP1, LF |
||||
164 |
Mazurka in A minor |
Piano, 2 hands |
1847-9 |
|||
165 |
Mazurka in A major |
Piano, 2 hands |
GR |
1850 |
||
Mazurka in E major |
(Mazurka rustique) |
166 |
||||
Mazurka bourgeoise |
(Mazurka rustique) |
166 |
||||
Mazurka brillante |
(Jeunesse) |
129 |
||||
Mazurka caprice |
(Forget Me Not) |
99 |
||||
Mazurka caracteristique |
(La Moissonneuse) |
173 |
||||
166 |
Mazurka rustique |
Piano, 2 hands |
81 |
1850 |
||
Mazurka de salon |
(Souvenir des Ardennes) |
243 |
||||
Mazurka sentimentale |
(Etincelle) |
80 |
||||
Mazurkas, Deux |
(Colliers d'or) |
59 |
||||
Meditation |
133, 227 |
|||||
167 |
La Melancolie |
Piano, 2 hands |
PM8 |
1848 |
||
Melodie |
(Jeune Fille aux yeux noirs) |
128 |
||||
168 |
Melodie pour voix d'homme |
1855 |
||||
169 |
Melody |
Violoncello and piano |
? |
|||
Military Polka |
(Drums and Cannon) |
74 |
||||
170 |
Minuit a Seville |
Piano, 2 hands |
PM1, LP1, AM3, GR |
30 |
1856 |
|
171 |
Miserere du Trovatore (Verdi) |
Piano, 2 hands |
PM2 |
52 |
1856 |
|
172 |
Miserere du Trovatore (Verdi) |
Piano, 4 hands |
52 |
1861 |
||
173 |
La Moissonneuse |
Piano, 2 hands |
PM4 |
8 |
1847-9 |
|
Morceau de concert |
(God Save The Queen) |
106 |
||||
174 |
Morte!! |
Piano, 2 hands |
PM4 |
60 |
1868 |
|
175 |
Mountaineer's Song |
Voice and piano |
GG |
1863 |
||
176 |
Murmures eoliens |
Piano, 2 hands |
PM3 |
46 |
1859 |
|
177 |
My only love, good bye! |
Ballad for tenor or soprano |
GG |
1863 |
||
La Naiade |
(The Water Sprite) |
295 |
||||
National Glory |
(Bunker's Hill) |
31 |
||||
Ne m'oubliez pas |
(Forget Me Not) |
99 |
||||
Noche de los tropicos |
(Symphony No. 1) |
255 |
||||
Nocturne |
55, 227 |
|||||
178 |
Nocturne |
Piano, 2 hands |
1853 |
|||
179 |
La Norma (Bellini), Fantaisie sur |
Piano, 2 hands |
1860 |
|||
180 |
Norma (Bellini), Grande Phantasia sobre motivos de |
2 pianos, 4 hands |
1869 |
|||
La Nuit des tropiques |
(Symphony No. 1, Andante) |
255, 5 |
||||
181 |
O Loving Heart, Trust On |
Voice and piano |
GG |
1863 |
||
182 |
O Ma Charmante, epargnez-moi |
Piano, 2 hands |
PM3, LP2, GG, AM2, GR |
1861 |
||
O Ma Charmante, epargnez-moi | Orchestra
(orch. Jack Elliott) |
HS1 |
||||
183 |
Oberon Overture (Weber) |
Piano, 4 hands |
1857 |
|||
184 |
Ojos criollos |
Piano, 4 hands |
GF1, APTER |
37 |
1859 |
|
185 |
Ojos criollos |
Piano, 2 hands |
PM1, LP1, AM3, KK |
37 |
1859 |
|
Operas |
Amalia Warden Charles IX Escenas Campestres Isoura di Salerno Untitled Opera |
4 52 77 125 278 |
||||
186 |
Orfa |
Piano, 2 hands |
PM5 |
71 |
1859 |
|
187 |
Ossian, Nos. 1 and 2 |
Piano, 2 hands |
PM4, AM3 |
4 |
1846 |
|
Overture |
Orchestra |
? |
||||
188 |
Papillon |
Voice and piano |
GG |
1862 |
||
Paraphrase de concert |
(Miserere du Trovatore) |
171 |
||||
Paraphrase de concert sur des airs nationaux |
(L'Union) |
269 |
||||
Partant pour la Syrie |
(Variations sur une theme
francais) |
294 |
||||
Pas redouble |
(Hurrah Galop) |
118 |
||||
189 |
Pasquinade |
Piano, 2 hands |
PM2, LP1, LF, AM1, KK |
59 |
1869 |
|
Pasquinade |
Piano, 4
hands |
GF1 |
||||
190 |
Pastorella e cavalliere |
Piano, 2 hands |
PM8, GG |
32 |
1858 |
|
191 |
Pastorella e cavalliere |
Voice and piano |
1865 |
|||
192 |
Paulina, Serenade pour voix
d'homme |
1859 |
||||
193 |
Pensee fugitive in A flat |
Piano, 2 hands |
1853 |
|||
194 |
Pensee poetique |
Piano, 2 hands |
PM4, AM2 |
62 |
1856 |
|
195 |
Pensez a moi |
Voice and piano |
||||
196 |
Pensive |
Piano, 2 hands |
PM8 |
1859 |
||
Pequena Tarantella |
(Tarantelle pour violon et piano) |
258 |
||||
Petite polka |
(La Colombe) |
60 |
||||
197 |
Piano Concerto in F minor
(fragment) |
1853 |
||||
Piano Quintet |
(Grande Tarantelle) |
259 |
||||
198 |
Piano Quintet, Ballo in Maschera
(Verdi) |
1865 |
||||
199 |
Piano Quintet (Weber's
Concertstuck) |
1851 |
||||
200 |
Piano Septet |
1869 |
||||
201 |
Piano Trio: Two Tarantelles |
Piano, violin and cello |
1861 |
|||
Le Poete mourant |
(The Dying Poet) |
75 |
||||
202 |
Polka |
Piano, 2 hands |
1850 |
|||
203 |
Polka |
Piano, 2 hands |
1859 |
|||
204 |
Polka in F |
Piano, 2 hands |
1853? |
|||
Polka brilliant |
(Forest Glade) |
98 |
||||
205 |
Polka di bravura |
Piano, 2 hands |
1862 |
|||
Polka di bravura, for 2 pianos |
(Ses Yeux) |
234 |
||||
206 |
Polka de concert |
Piano, 2 hands |
1844 |
|||
Polka de salon |
220, 296 |
|||||
207 |
Polka de salon |
Piano, 2 hands |
PM5 |
1 |
1846 |
|
Polka guerriere |
Piano, 2 hands |
1857 |
||||
208 |
Polka militaire |
Piano, 2 hands |
1861 |
|||
209 |
Polka poetique |
Piano, 2 hands |
1853 |
|||
Polka-redowa |
(Pensive) |
196 |
||||
210 |
Polonia |
Piano, 2 hands |
PM4 |
35/43 |
||
211 |
Las Poncenas |
Military band |
1857 |
|||
Portugese
Hymn |
289 |
|||||
212 |
Prelude |
Piano, 2
hands |
1855-6 |
|||
213 |
Priere |
Piano, 2
hands |
1853 |
|||
214 |
Printemps
d'amour |
Piano, 2
hands |
PM6 |
40 |
1858 |
|
215 |
La
Puertorrequena (Gran marcha triunfal) |
Military band |
1857 |
|||
216 |
I Puritani
(Bellini), Fantaisie sur |
Piano, 2
hands |
1860 |
|||
Quadrilles,
pour orchestre |
(Las
Poncenas) |
211 |
||||
Quintet,
Piano |
198, 199, 259 |
|||||
217 |
Radieuse |
Piano, 4
hands |
GF1, APTER |
1859 |
||
218 |
Radieuse |
Piano, 2
hands |
PM8, AM2 |
72 |
1859 |
|
219 |
Rapelle-toi |
Soprano or
tenor with piano |
GG |
? |
||
220 |
Rayons d'azur (Shades of Evening) |
Piano, 2
hands |
PM5 |
77 |
1855 |
|
Recuerdos de
la Habana |
(Souvenir de
la Havane) |
246 |
||||
221 |
Recuerdo de
la Vuelta de Abajo |
Piano, 2
hands |
1854-5 |
|||
222 |
Reflets du
passe, Premiere |
Piano, 2
hands |
1847 |
|||
223 |
Reflets du
passe, Deuxieme |
Piano, 2
hands |
PM4 |
28 |
1856 |
|
224 |
Regarde Moi
(Idylle) |
Piano, 2
hands |
? |
|||
Reminsicences
de
la
Somnambula |
(Souvenirs
de Bellini) |
244 |
||||
225 |
Reponds-moi |
Piano, 4
hands |
APTER |
1859 |
||
226 |
Reponds-moi |
Piano, 2
hands |
PM5 |
50 |
1859 |
|
Reverie |
(Reflets du
passe) |
223 |
||||
227 |
Ricordati |
Piano, 2
hands |
PM4, AM2, KK |
26 |
1856 |
|
228 |
Rigoletto
Quartet (Verdi), transcription de bravura |
Piano, 2
hands |
||||
Romance |
227, 298 |
|||||
229 |
Romance sans
paroles in A flat |
Piano, 2
hands |
1853 |
|||
230 |
Romance
dramatique |
Violin and
piano |
||||
Romance
poetique |
(The Dying
Swan) |
76 |
||||
Romanza |
Voice and
piano |
175, 219, 252 |
||||
Romanze |
Piano, 2
hands |
PM1 |
1859-61 |
|||
231 |
Rome |
Piano, 2
hands |
1859 |
|||
232 |
La Savane |
Piano, 2
hands |
PM2, KK |
3 |
1846 |
|
233 |
Scherzo-romantique |
Piano, 2
hands |
PM2, LF, KK |
73 |
1851 |
|
Schottische
de concert |
(Fairy Land) |
91 |
||||
La Scintilla |
(L'Etincelle) |
80 |
||||
Septet |
(Piano
Septet) |
200 |
||||
Serenade,
pour voix d'homme |
(Paulina,
Serenade) |
192 |
||||
La Serenade |
(Le
Mancenillier) |
142 |
||||
Serenata |
(Idol of
Beauty) |
120 |
||||
234 |
Ses Yeux |
2 pianos, 4
hands |
GF1 |
1865 |
||
Ses Yeux |
Piano, 4
hands |
APTER |
||||
235 |
Ses Yeux |
Piano, 2
hands |
PM8 |
66 |
1865 |
|
Shades of
Evening |
(Rayons
d'azur) |
220 |
||||
She is dead |
(Morte!!) |
174 |
||||
The
Shepherdess and the Knight |
(Pastorella
e cavalliere) |
191 |
||||
236 |
El Sitio de
Zaragoza |
Grand
symphony for 10 pianos |
1851 |
|||
237 |
El Sitio de
Zaragoza |
Piano, 2
hands (transcription) |
||||
Slumber on,
Baby Dear |
(Berceuse) |
28 |
||||
238 |
Somne Marcha
Triunfal a Chile |
Orchestra |
1866 |
|||
239 |
Solitude |
Piano, 2
hands |
PM5 |
65 |
1855 |
|
240 |
Le Songe
d'une nuit d'ete |
Piano, 2
hands |
PM4 |
9 |
1849 |
|
La
Sonnambula, Fantaisie sur |
(Souvenirs
de Bellini) |
244 |
||||
241 |
Sospiro |
Piano, 2
hands |
PM5 |
24 |
1856 |
|
Le Sourire d'une jeune fille |
(The Maiden's Blush) |
141 |
||||
242 |
Souvenirs d'Andalousie |
Piano, 2 hands |
PM2, LF, AM1 |
22 |
1851 |
|
243 |
Souvenir des Ardennes (Mazurka) |
Piano, 2 hands |
PM7 |
1846 |
||
Souvenir du bal |
(Love and Chivalry) |
135 |
||||
244 |
Souvenirs de Bellini |
Piano, 2 hands |
1852 |
|||
245 |
Souvenir de Cuba |
Piano, 2 hands |
PM4 |
75 |
1860 |
|
246 |
Souvenir de la Havane |
Piano, 2 hands |
PM1, AM3, GR |
39 |
1859 |
|
247 |
Souvenir de Lima |
Piano, 2 hands |
PM2 |
74 |
1860 |
|
248 |
Souvenir de la Louisiane |
Piano, 2 hands |
1854 |
|||
249 |
Souvenir de Lucrezia Borgia |
Piano, 2 hands |
1865 |
|||
250 |
Souvenir de Porto Rico |
Piano, 2 hands |
PM1, LP1, AM3, KK |
1857 |
||
Souvenir de
Porto Rico |
Orchestra
(orch. Jack Elliott) |
HS1 |
||||
The Spark |
(L'Etincelle) |
80 |
||||
251 |
Spirito gentil |
Piano, 2 hands |
1869 |
|||
252 |
Stay, My Charmer |
Voice and piano |
GG |
1864 |
||
253 |
Suis-moi! |
Piano, 2 hands |
PM2, LP2, AM2, GR |
1861 |
||
254 |
Le Sylphe |
Piano, 2 hands |
1848 |
|||
255 |
Symphony No. 1 (La Nuit des tropiques) |
Orchestra |
GF2 |
1859 |
||
Symphony No. 1 (La Nuit des tropiques) |
Orchestra (arr. & completed Richard Rosenberg) |
HS1, HS2 Part 1 Part 2 |
1859 |
|||
256 |
Symphony No. 1 |
2 pianos, 4 hands |
||||
Symphony No. 1, Andante |
Piano, 2 hands |
5 |
||||
257 |
Symphony No. 2 (A Montevideo) |
Orchestra |
GF1, HS2 |
1868 |
||
Tango |
Piano, 2 hands |
1854 |
||||
El Tango el Cucuye |
Piano, 2 hands |
1854 |
||||
Tannhauser, Grande Marche |
(Grande Marche de Tannhauser) |
112 |
||||
258 |
Tarantelle |
Violin and piano |
1858 |
|||
259 |
Grande Tarantelle |
Piano and orchestra |
GF1, HS2 |
1868 |
||
260 |
Grande Tarantelle |
2 pianos, 4 hands |
67 |
1868 |
||
261 |
Grande Tarantelle |
Piano, 4 hands |
67 |
1868 |
||
Celebre
Tarantelle |
Orchestra
(arr. Sidney Lambert) |
HS1 |
67, no. 4 |
|||
262 |
Grande Tarantelle |
Piano, 2 hands |
67 |
1868 |
||
Celebre Tarantelle |
Orchestra (arr. Espadero) |
HS1 |
67, no. 5 |
|||
Tengue terengue |
(Recuerdos de la Vuelta de Abajo) |
221 |
||||
263 |
Tennessee |
Piano, 2 hands |
1857 |
|||
264 |
Tournament Galop |
Piano, 2 hands |
PM3, LP1, LF, AM2 |
1854 |
||
Tournament
Galop |
Orchestra
(orch. Jack Elliott) |
HS1 |
||||
Le Tournoi, d'apres Quidant |
Piano, 2 hands |
1854 |
||||
265 |
Tremolo |
Piano, 2 hands |
PM5 |
58 |
1869 |
|
266 |
Tres Romanzas |
Piano, 2 hands |
1859 |
|||
Trio, Fragments d'un |
(Piano Trio) |
201 |
||||
Trio: Two Tarantelles |
(Piano Trio) |
201 |
||||
267 |
Il Trovatore (Verdi), Grand Duo di bravura |
2 pianos, 4 hands |
1856 |
|||
Le Trovatore, Fantaisie triomphale |
Piano, 2 hands |
171, 172 |
||||
Ultima esperanza |
(The Last Hope) |
133 |
||||
268 |
Ultima rosa |
Piano, 2 hands |
1865 |
|||
269 |
L'Union |
Piano, 2 hands |
PM1, LP1, LP2, LF, AM1, KK |
48 |
1862 |
|
8 Pianos, 16
hands (arranged for 8 pianos by Patrick Russ, based on the arrangement by Samuel Adler) |
Verbier Festival (more info at bottom of page) |
|||||
Piano &
Orchestra |
GF1 |
|||||
Unpublished Manuscripts (8) |
Piano, 2 hands |
|||||
270 |
No. 1: Untitled piece in E flat |
|||||
271 |
No. 2: Ballade in A flat |
PM2 |
||||
272 |
No. 3: (MS wanting) |
|||||
273 |
No. 4: Polka in B flat |
PM2, LP1 |
||||
274 |
No. 5: Untitled piece in C minor |
|||||
275 |
No. 6: Polka in A flat |
PM2 |
||||
276 |
No. 7: Untitled piece in F sharp
minor |
|||||
277 |
Ines, Danza in E flat |
PM2 |
||||
278 |
Untitled Song |
|||||
279 |
Valse in A flat |
Piano, 2 hands |
||||
280 |
Valse en D minor |
Piano, 2 hands |
1860 |
|||
281 |
Valse en E flat |
Piano, 2 hands |
1853 |
|||
Valse, pour deux pianos |
1852 |
|||||
282 |
Valse di bravura, pour deux pianos |
1852 |
||||
283 |
Valse de bravura, pour orchestre
militaire |
1858 |
||||
284 |
Valse brillant |
Piano, 2 hands |
1844 |
|||
285 |
Valse de concert in G |
Piano, 2 hands |
||||
Valse poetique |
(Sospiro) |
241 |
||||
286 |
Valse poetique |
Soprano and orchestra |
1857 |
|||
287 |
Valse de salon |
Piano, 2 hands |
1842 |
|||
288 |
Vamos a la azotea |
Piano, 2 hands |
1860 |
|||
289 |
Variations de concert sur l'hymne portugais |
Piano and orchestra |
GF2, HS2 |
1869 |
||
290 |
Variations de concert sur l'hymne portugais |
Piano, 2 hands |
PM8 |
91 |
1869 |
|
291 |
Variations on Dixie's Land |
Piano, 2 hands |
<1862 |
|||
Variations on Home, Sweet Home |
(Home, Sweet Home) |
117 |
||||
292 |
Variations on Old Folks at Home |
Piano, 2 hands |
1853-4 |
|||
293 |
Variations sure le derniere pensee de Weber |
Piano, 2 hands |
1869 |
|||
294 |
Variations sur un theme francais |
Piano, 2 hands |
1847 |
|||
Viens O ma Belle |
(Idol of Beauty) |
GG |
120 |
|||
295 |
Vision |
Piano, 2 hands |
PM6 |
|||
296 |
The Water Sprite |
Piano, 2 hands |
PM7 |
27 |
1854 |
|
West-Indian Serenade |
(Le Mancenillier) |
142 |
||||
297 |
William Tell Overture (Rossini) |
Piano, 4 hands |
APTER |
1850 |
||
298 |
Workbook |
|||||
Yearning |
(Ricordati) |
227 |
||||
Le Yeux creoles |
(Ojos criollos) |
184 |
||||
The Young Shepherdess and the
Knight |
(Pastorella e Cavalliere) |
190 |
||||
Zapateado cubano |
(Recuerdo de la Vuelta de Abajo) |
22 |
||||
WORKS
NOT
LISTED
IN THE OFFERGELD CATALOGUE: |
(Per James E. Perone's Bio-Bibliography of L.M. Gottschalk) |
|||||
W5 |
Pange linguae |
Male voices |
lost |
1854-5 |
||
W6 |
Rex altissime |
SATB choir (?) |
lost |
1854-5 |
||
W10 |
Alone |
Voice and piano |
278 |
1855-6 |
||
W11 |
Grande Valse poetique concertante |
Voice and piano |
lost |
1856 |
||
W26 |
La flor que ella me envia |
High voice and piano |
GG |
c.1866-8 |
||
W58 |
Piano septet |
Piano and strings |
lost |
1869 |
||
W60 |
Sonate |
Violin and harp |
spurious? |
|||
W111 |
Pensee poetique, nocturne |
Piano |
18 |
1852-3 |
||
W115 |
Le bengali au reveil, bluette en form d'etude |
Piano |
lost |
<1853 |
||
W116 |
Moripont |
Piano |
lost |
1853 |
||
W125 |
I'll Pray For Thee |
Piano |
lost |
1853 |
||
W129 |
Italian Glories (after Donizetti) arr. "Oscar Litti" (pseud.) |
Piano |
c. 1853 |
|||
W137 |
Camaguay Fantasy |
Piano |
lost |
1854 |
||
W170 |
Las patitias de mi sobrina, danza |
Piano |
unpub. |
1857-61 |
||
W172 |
El silvido, contradanza |
Piano |
lost |
1857-62 |
||
W202 |
El festival, danza |
Piano |
lost |
c. 1859-60 |
||
W208 |
Ay! Lunarcitos!, contradanza |
Piano |
unpub. |
1860 |
||
W223 |
Valse de Faust (after Gounod) arr. "Oscar Litti" (pseud.) |
Piano |
1863 |
|||
W236 |
Variations on "Auld Lang Syne" |
Piano |
lost |
1865 |
||
W241 |
Marche in E-flat Major |
Piano |
unpub. |
<1866 |
||
W243 |
L'Alianza |
Piano |
lost |
1866 |
||
W280 |
La Vallisoletana |
Two pianos |
lost |
1852 |
||
W287 |
Recuerdos de Puerto-Principe |
Six pianos |
lost |
1854 |
||
W301 |
Adios a la Habana |
Piano, 4 hands |
unpub. |
c. 1859-61 |
||
CAKEWALK (Ballet with music by Gottschalk as arranged and orchestrated by Hershy Kay) |
Code |
Artist |
Label |
Catalog Number |
|
PM1 |
Philip Martin |
Hyperion |
CDA66459 |
|
PM2 |
Philip Martin |
Hyperion | CDA66697 |
|
PM3 |
Philip Martin | Hyperion | CDA66915 |
|
PM4 |
Philip Martin | Hyperion | CDA67118 |
|
PM5 |
Philip Martin | Hyperion | CDA67248 |
|
PM6 |
Philip Martin | Hyperion | CDA67349 |
|
PM7 |
Philip Martin | Hyperion | CDA67478 |
|
PM8 |
Philip Martin | Hyperion | CDA67536 |
|
LP1 |
Leonard Pennario |
Angel |
64667 |
|
LP2 |
Leonard Pennario |
HMV |
5 72310 2 |
|
GF1 |
A GOTTSCHALK FESTIVAL Eugene List and other soloists Vienna State Opera Orchestra |
VoxBox |
CDX 5009 |
|
GF2 |
A GOTTSCHALK FESTIVAL Eugene List and other soloists Vienna State Opera Orchestra |
VoxBox |
CDX 5009 |
|
HS1 |
Hot Springs Festival Symphony
Orchestra Richard Rosenberg, conductor |
Naxos |
8.559036 |
|
HS2 |
Hot Springs Festival Symphony
Orchestra Richard Rosenberg, conductor |
Naxos |
8.559320 | |
GG |
A GOTTSCHALK GALA Joseph Smith, piano; vocal soloists |
Premier |
PRCD 1063 |
|
LF |
"The Lady Fainted" Alan Marks, piano |
Nimbus |
NIM 5014 |
|
AM1 |
Alan Mandel |
VoxBox |
CD3X 3033 |
|
AM2 |
Alan Mandel |
VoxBox |
CD3X 3033 | |
AM3 |
Alan Mandel |
VoxBox |
CD3X 3033 | |
KK |
Klaus Kaufmann |
Koch |
360 352 H1 |
|
GR |
Georges Rabol |
Opus 111 |
OPS 50-9114 |
|
APTER |
David & Deborah Apter (Piano
Duettists) |
MHS (LP) |
3430 |
Front Back Label |
Verbier |
Verbier Festival 2003 (7/22/03) Pianists: Leif Ove Andsnes Nicolas Angelich Emanuel Ax Evgeny Kissin Lang Lang James Levine Mikhail Pletnev Staffan Scheja |
BMG (DVD) |
||
MNSTR |
"THE
MONSTER
CONCERT
IN
CELEBRATION OF LOUIS MOREAU GOTTSCHALK" Musicmasters MM 20061 (1983) Musical Heritage Society MHS 4924 (1984) Front Cover Portrait from Cover Liner Notes The Siege of Saragossa : grand symphony for 10 pianos / Louis Moreau Gottschalk ; arranged by Victor Savant (Victor Savant, Cary Lewis, solo pianos) (8:50) Réponds-moi : Cuban dance for two pianos (Neal Larrabee, Stefan Scaggiari, pianos) (3:10) / Louis Moreau Gottschalk -- Danse macabre / Camille Saint-Saëns ; arranged by Ernest Guiraud (10 pianos) (7:02) -- Printemps d'amour : mazurka brillante for two pianos / Louis Moreau Gottschalk (Cary Lewis, Paul Van Ness, pianos) (4:20) -- Santa Anna's retreat from Buena Vista / Stephen Foster ; arranged by John Van Buskirk (John Van Buskirk, solo piano (10 pianos)) (2:58) -- Grande tarantelle : piano solo with string quintet, flute, and clarinet accompaniment (Eugene List, piano) (5:52) ; Le bananier = The banana tree : Louisiana folk song for two pianos (Joseph Werner, Wade Peeples, pianos) (3:02) ; Night in the tropics : second movement from the symphony of the same name (10 pianos) (5:53) / Louis Moreau Gottschalk -- Soirée polka / Stephen Foster (Eugene List and all the Ladies of the Corps de Piano) (2:25) -- Orfa : polka de concert for two pianos / Louis Moreau Gottschalk (Kimberly Schmidt, James Anagnoson, pianos) (3:01) -- Overture to William Tell : abridged / Gioacchino Rossini ; arranged by Louis Moreau Gottschalk (Eugene List, Joseph Werner, pianos ; Douglas Riva, organ) (10 pianos) (6:30). |
|||