|
To listen to the 1934 WRR broadcast, click the links
above the disc.
|
On March 14th, 2002, WRR received a phone call from “Major” William
Bond. He had recently come into possession of a recording made by his
grandfather, Harry A. F. Houck. Mr. Bond was certain the disc contained
a recording of an old WRR broadcast and was looking for a way to play
it. Intrigued, I put him in touch with a local recording studio, which
had experience in transferring 78-RPM records to digital. I agreed to
meet him at the studio the following week and listen to the record.
When I finally met Mr. Bond and his wife Kathy, a retired couple
married for 45 years, they eagerly showed me the disc, housed in a
tattered and crumbling green record sleeve. The disc itself appeared
free of
|
Virginia and Edith Bond, aka "The Bond Sisters."
|
warping and seemed to be in excellent condition. The letters “WRR,”
scribbled in pencil on both sides, were the only markings, the only
clue to the contents. Mr. Bond explained that since his grandfather
passed away in 1935, the recording had to have been made that year or
earlier. Further, “Bond family legend” suggested the recording was of
his sisters, Virginia Bond and Edith Bond, who had performed as “The
Bond Sisters” on “Bill Boyd’s Ramblers,” a popular WRR program which
aired in the 1930’s. Apparently, Houck’s Victor radio/recording unit
allowed him to record directly from the airwaves, sans a microphone.
|
Harry A. F. Houck recorded the WRR broadcast in 1934.
|
There was a moment of heightened anticipation as the disc was placed on
the 78-RPM turntable. Dropping the needle gently into the groove, the
studio engineer brought up the faders and fiddled with the volume knob.
We heard only a very faint, undistinguishable audio signal buried under
an abrasive, rumbling mountain of static. The excitement, which had
permeated the studio only moments before, quickly sank. There seemed to
be an unspoken consensus in the room that the recording might be
unplayable, lost to the ages.
After consulting with radio historian Elizabeth McLeod, we discovered
the Victor home recording technology didn’t use the standard 2.8 mil
78-RPM stylus. Instead, the system required a 5 mil stylus, which is
much wider in diameter. If we could find a 5 mil stylus, there was
still a chance the recording could be heard. However, we quickly
discovered it would not be easy finding such a needle in the Dallas
area. We were told repeatedly by local audio engineers that this type
of stylus is very hard to come by. It seemed we were out of luck—until
we talked to Phil York.
|
Phil York transfers the Houck recording to digital.
|
Phil York is a celebrated audio engineer who owns
Yorktown Digital Works, a sound studio in Irving, Texas. Mr. York was
recommended by several people, including Grace Johnson, WRR’s Business
Manager who had recently witnessed his expert restoration of an old
recording. It turned out that Mr. York didn’t have the rare stylus we
needed, but he said he would have one specially cut within a few days.
Shortly thereafter, the stylus arrived by Fed-Ex, and William and Kathy
Bond scheduled a new studio session. On April 5th, I met the Bonds at
Yorktown Digital Works. Mr. York cleaned the WRR disc, and showed us
his specially cut 5 mil stylus, which he then affixed to the arm of his
turntable. He activated his CEDAR® unit, a special device which
declicks and decrackles old recordings. As he lowered the needle into
the groove, the sounds of a WRR broadcast from long ago filled the
studio.
|
In May of 1934, the WRR Studios were located in the
Hilton Hotel, located at 1933 Main St., Dallas, TX.
|
The 1930’s were a time of live performance broadcasting.
In those days, it was common for musicians to visit the studios and
perform “live” to promote their recordings. The first thing on “Side A”
of the record is a vocal performance of “Wagon Wheels.” Supported by
vibraphone, guitar and muted trumpet, the instrumentation is quite
charming. After the song ends, the WRR announcer informs us we are
listening to a group known as “The Harmonians.” The announcer then
introduces “Memories,” the next song to be played by the group. A few
bars of “Memories” are heard before Side A abruptly ends.
The flip side of the recording begins with an apparent in-studio
performance by “Milton Brown And His Musical Brownies,” a western swing
band that rivaled Bob Wills in popularity. The title of the first song
they perform is unknown. (NOTE: the
song is now determined to be "Bend Down, Sister". The song
appeared in the 1931 movie "Palmy Days.") The instrumentation consists of
acoustic
guitar, violin and banjo, all supporting the vocals of Brown. After the
song ends, the WRR announcer makes a significant comment which helps
date the recording: “Now here’s a
|
This
detail
from Mr. Houck's record sleeve reveals RCA Victor marketed their
home audio recorder as a way for consumers to preserve their favorite
radio shows. |
|
number ladies and gentleman that Milton Brown And His Musical Brownies
made a record of a few weeks ago, and it’s due out in just a few days.
So don’t forget to ask for Milton Brown’s record at your music store.”
The announcer goes on to reveal the song is called “My Precious Little
Sonny Boy.” The first few bars of this song are heard before “Side B”
of the recording abruptly ends.
In all, the disc contains 5 minutes of audio. But when was it actually
recorded? I contacted Cary Ginell, a historian who wrote a biography of
Milton Brown, and learned “My Precious Little Sonny Boy” was recorded
on April 4, 1934. Therefore, since the radio announcer says the song
was recorded: “a few weeks ago, and it's due out in just a few days,”
the WRR broadcast probably occurred in May of 1934. To confirm this, I
went to the Dallas Public Library and pulled The Dallas Morning News
files from that time period. I discovered that Thursdays, during May of
1934, WRR aired a program from 7:30 to 8:00 pm called “The
Harmonians,” followed by a program from 8:00 to 8:15 pm called “Musical
Brownies.” This evidence suggests the Houck recording is consistent
with being a live WRR broadcast from the station’s Hilton Hotel
studios, circa May of 1934.
|
William and Kathy Bond, owners of the Houck record.
|
The Bond family has since learned their WRR recording of
“Milton Brown” could be worth a lot of money. A record label hoping to
issue the recording on CD has already contacted them. It is thought
that the unknown song preserved on the acetate was never officially
recorded by The Musical Brownies. Tragically, Milton Brown died from
complications stemming from a car wreck in 1936. His relatively small
body of work and untimely demise increase the appeal, value and rarity
of his memorabilia among collectors and historians.
In the final analysis,“Major” William Bond was hoping to
hear his sisters’ voices on the WRR recording. Instead, he found
something very different, something generating a lot of interest among
fans of Milton Brown and something possibly worth a lot of money. All
things considered, it’s not a bad haul for a lost recording of a WRR
broadcast that’s been collecting dust for almost 70 years.
Written
Transcription Of The WRR Recording
SIDE A:
(Click
to
listen)
(--From the WRR Radio Program "The Harmonians;" probably a live
in-studio performance from WRR's Hilton Hotel studios during a Thursday
evening in May of 1934)
(The Harmonians perform "Wagon Wheels")
Wagon wheels, wagon wheels,
Keep on a-turnin', wagon wheels,
Roll along, sing your song, Carry me over the hill.
Go 'long, mule, there's a steamer at the landin',
Waitin' for the cotton to load,
Go 'long mule, the boss is understandin'
There's a pasture at the end of each road.
Wagon wheels, wagon wheels,
Keep on a-turnin', wagon wheels,
Roll along, sing your song,
Wagon wheels, carry me home,
Wagon wheels, carry me home.
WRR Radio Announcer: "And as an
appropriate ending to our program presented by The Harmonians, they
play 'Memories.'"
(The Harmonians play a few bars of
"Memories")
Side A ends.
SIDE B: (Click
to
listen)
(--From the WRR Radio Program "Musical
Brownies;" probably a live in-studio performance from WRR's Hilton
Hotel studios on a Thursday evening in May of 1934)
(Milton Brown And His Musical Brownies
perfom a medley of the show tunes:"Hallelujah" and "Bend Down Sister." Special
thanks
to Vincent Fitzpatrick for identifying these songs. )
Sing "Hallelujah, Hallelujah," we'll drive
your cares away.
"Hallelujah," Sing "Hallelujah," get down and jump in the bay.
Satan lies a'waitin', and creatin' skies of gray. Yeah, lord!!
"Hallelujah, Hallelujah," we'll drive your cares away.
(Violin solo) "Oh boy!"
You've gotta bend down, sister.
Bend down, sister,
If you want to keep thin.
There'll be no more messin'
with French dressin';
You must bear it and grin.
You can flirt with (undistinguishable) and corn
Sniff, but don't give in.--Lordy, lord!
You've gotta bend down, sister.
Bend down sister,
If you want to keep thin.
Band Members: (Laughter)
WRR Radio Announcer: "What's the
matter?"
Unknown Voice 1: "We almost got
tickled (inaudible) the way he sang it..."
Unknown Voice 2: "Ah-ha-ha!"
WRR Radio Announcer: "Is that
so?...Now here's a number, ladies and gentleman, that uh... Milton
Brown And His Musical Brownies made a record of a few weeks ago, and
it's due out in just a few days; So don't forget to ask for Milton
Brown's record at your music store. And this, incidentally, is being
made for Milton's (undistinguishable), who is only three years old: "My
Precious Little Sonny Boy," a number composed by Milton Brown."
(The Musical Brownies play a few bars of
"My Precious Little Sonny Boy")
Side B ends.
(William and Kathy Bond
have generously made this recording available for your listening
enjoyment on wrr101.com. WARNING: This
recording is the property of William Bond ©2002. All rights reserved.)
|